Wednesday, December 13, 2006

THERE ARE ANGELS SINGING! THE BELLS! THE BELLS!

So, it's nearly Christmas. Seen the news stories about global warming? - there will no longer be snow, etc, etc? Well, I'm still hoping for snow. Why? This song:



Swimming

In Dulci Jubilo

Trivia: It uses a technique called binaural recording. It makes the song lovely. The kids talking and laughing at the start, and all you can think of is an ice-rink in the middle of a snow-covered piece of land surrounded by the whole community.

The guitar comes sliding through the ice, skating along - no fear - just nice, and casual, and simple, and perfect. All the instruments arrive - they heard maybe Santa was coming? And if not, it's just nice to be outside in their duffel coats with their hoods up and the air cutting through them. Each breath an effort but a lush, refreshingly invigorating one: so, this is what it feels like to be alive?!

This is the type of song they play at outdoor ceremonies - you know the type: a religious message and freshly made tea served in polystyrene cups and mince pies and the Angels come along to dance. To keep it brief: this song is triumphant, it's laughing, it's complex but seems simple, it sounds like anyone could've arranged this - but, could they? no! of course not! - it's like stepping outside, and slipping and falling onto the concrete - oh, but of course! there's ice all around! ice and snow! - and looking up and seeing an Angel laughing at you.



The Late Greats

Sleigh Ride

Frivolous like a fairytale, Christmas is the time of snow, and cards written in a loving hand, with a carefully thought-out message inside, something cliché and earnest. Writing about music is pretty much the same - somehow the words aren't quite right, the sentences aren't as honest as intended. But still, here's another song, and there's really not much to say about it other than:

It's building a snowman in the freezing cold; it's waking up in the morning and your little brother picking up your new Christmas present and throwing it out the window - but it's Christmas, it's funny, you're not mad; it's ice-skating but falling so many times that - oh my, my back, my back! i think i've broken it! ah, help me up, oh please! plea - and pulling that person down with you; it's dancing with someone exceedingly attractive; it's learning to laugh; it's being happy again.

Buy this album! I beg you! All proceeds go to Shelter! The songs are beautiful, and silly, and classic! Stream more of the festivity! It's Christmas!

Wednesday, December 06, 2006

When your heart takes over

Let's state the obvious first, as a sort of pre-requisite: there's lots of music. Lots and lots. More than you can imagine actually. About everything. Ever.

Songs about strangers on trains that we are immediately drawn to; trees and bushfires; politics and religion; glaciers and hurricanes and tragedies; tears and sadness and deaths in the family; parents that left before birth, promises that were never fulfilled; the 'what if's and 'but's and everything that could've been done differently, and everything that might never have happened, and everything that despite our prayers and wishes never did; the money lost on the bus; the gambling debts that ruined a marriage. Songs about distance and time and space and the big fuck-off "WHY?!... Why are we here? What's our purpose? Who is my God and what of my life and when was I most pure and where is hell?"

And there are a lot of songs about love. But this one. It's summed up in the words that emerge through the laughter at the end: "Oh God". It is one of the most elegant, sad, delightful little songs I have ever heard. It's poorly recorded, and it's casually performed, and it's so so unbelievably fucking heartbreakingly beautiful.



Elizabeth Frazer and Jeff Buckley

All Flowers In Time

Reunion! Union!



Stars

Reunion

Striking down on that first chord like some sort of smiling tribute to The Smiths, dancing and twinkling with the musical equivalent of controlled chaos. Conjuring images with the fantastic frivolousness:

driving to school, and home again, with the wind in your hair and tears in your eyes from the gush of air, and the freedom, the beauty of the scenery - it's not much to look at, actually - but right now, in this, precise moment, it's beautiful. Palm trees instead of Palmpilots. Staying up during the night dreaming awake and then eventually nodding off.

(You couldn't slip into slumber like that these days when you're doing an all-nighter 'cause you know you have to have that essay in by noon, or else.)

But before you left the waking world, all you could see in your thoughts was the girl you kissed on the cheek; the girl who's hand you held and afterwards convinced yourself you were in love! - the one you said you cared for, sort of. 'Cause even though you were by parts shy and by parts confident - your own little enigma - you could never tell that girl, all the things that you probably should've told her. I'll let this song be your story. It's smiling, it's nostalgic, it's sad. It harks back to innocent days of drinking yourself silly - as much with happiness as with alcohol. It recalls a time when you were too scared to tell a girl, well... that... you...

truly truly loved her.

Tuesday, October 03, 2006

Don't Write Tired

Tiredness filled the page. The young artist watched as the canvas filled itself with ink, almost by magic. When he awoke in the morning he didn't know who'd been in his drawing room. He remembered a rough sketch, a simple idea, and a palette full of colours which he didn't know what to do with. When he awoke his ideas had been realised, his palette emptied, he almost felt betrayed. His subconscience came out and it filled the canvas and something about it made him sad, hopeless. Somehow it felt like he didn't own the beauty because he didn't remember creating it.

Who knows where thoughts come from. They just appear. That's right Lucas. That's right.

I have a blog? I have a blog. I'm at uni... versity. Glasgow, since you ask. Updates will begin again. Sometimes you get so lonely in this place all you can do is write. Especially when you can't download. Then you upload.

Sunday, September 03, 2006

FOR THE TINIEST MOMENT IT'S ALL NOT TRUE

It's light and floating. Children's toys strike a chord. They sparkle with innocence. The voice is matter-of-fact. There is blind hope in this song. There are tears and there are memories. There is joy and glitter. Imagine colouring books lying open on a hall table. Imagine a telephone lying beside it. Imagine the chance of a fresh start, a beautiful dream, one final pleasant sleep next to a pillow smelling of her perfume.

Snow Patrol

You Could Be Happy

There are heart-felt tears. There are regrets. There are mistakes. There is a dream of forgiveness. There is real-life.

Saturday, September 02, 2006

YOU SAY NOTHING'S WORTH A FIGHT NO MORE

You say... every day's the same,
But I will never close my eyes again.


Difficulties. Stupidity. Loss of innocence. You will be judged. Everyone knows.

Why is there suffering?
Without suffering there would be no compassion.
Tell that to those who suffer.


That's from some film. Maybe "A Walk To Remember". Anyway. The End. [I hope not]

Disco Ensemble

Mantra

If it's something to die for;
if it's something to cry your heart out for;
when the times are hard, don't walk away,
don't walk away from me

Sadness Echoes

Sadness is something that some people are born with. Sometimes it is immovable. I believe I was born with sadness. Certain events trigger it. Self-loathing is occurent everynow and then. Words are made up to describe feelings emotion. Sometimes a scream is better than a thesis. Ralph Waldo Emerson. I could type shflkjldksghkjh and it would make as much sense as a fully coherent sentence right now. Elliott Smith is playing through the speakers. Sometimes people do stupid things and cover them up with words, lines, sentences. Not expressing the whole truth is the same as a lie. The truth should always come easy, there should never be mistakes made, the world should be an idyllic place. Sadness is expressed with words, with tears, with sighs. Sadness is expressed with silence, with trembling, with body language. Stand slumped over a shelf. Lie down on a bed and not want to get up. We all have the potential to be horrible, horrible people. We all have the potential to be monsters. We all have the potential to do something great. Dreams keep us alive. I had one today. It was beautiful at the time, but afterwards - two to three hours, or five minutes, I can't remember - I realised that it was too ideal, too pleasant, too simple. Too impossible. Everything is always fucked up, sometimes. Faith.

Find your own song.

Friday, September 01, 2006

Fiction Becomes Fact. Mistakes Are Made.

Sometimes you create a song about what you've become. What you will become. What you might become. Unwittingly, the subconscience within you will become an outward thing. The text comes from 'The Contortionist's Handbook', by Craig Clevenger. The last line is from the Biffy Clyro song 'Justboy'. Fiction... will become fact. My voice, tells me the truth almost as a mistake. Sad but definitely hopeful. I should keep listening. I should keep listening. I should keep listening. Sometimes silence is the most awful thing.

The white, twenty-five to thirty year old, American male, drinks twelve to fourteen beers a week, or five to seven glasses of wine a week. The average legal limit in most states is .08 BAC which is about two beers. So two beers gets you legally drunk. The implicit question is not, How much do you drink? but, How often do you get legally drunk? or, How often do you have more than two beers within a given hour during the course of a week. I'm legally drunk seven days a week, but no one needs to know that... From the dark clouds a light will break through.



We Came In A Coma

From The Dark Clouds A Light Will Break Through (Chapter 1)

As Elliott Smith wrote, "I'm not half what I wish I was."

Thursday, August 10, 2006

Stop Repeating Yourself



Drugscene

Coronation

A skyscraper stands proudly in the middle of Los Angeles. There are angels in the architecture, dancing around the double-glazed windows. Curtains have been pulled across the sun. There's commotion, like there's always commotion. Laughter but very little. Hustle and bustle and chatter and nerves and tension. Second chances and dreams being shattered. Lights flicker into focus and out again. Reflections are there to be stared at. By the time of the chorus your surroundings have changed, but you don't realise. So distracted by your own indie-chic-ness. You're in a club with lights on off disco glitter lights flicker. Pounding pounding disco music. Lights flash cameras flash girls flash so much music so much noise just get lost in the music now now now.

Drugscene are typically stylised, typically cool, I haven't seen the press photo's but in my mind's eye it would make sense if they're wearing tattered suits and flippant red ties with long-short hair and beautiful smiles like moviestars. Imagine The Killers and Hot Hot Heat and We Are Scientists and The Bravery and the million and one other bands that those names conjure up. Imagine a catchy indie-rock beat beat beat. Sometimes it works. Sometimes it doesn't. Sometimes it's like watching a waterfall with the water running out. The focus is on creating a song based around a melody and sometimes the melody isn't there. They do succeed, however, on Coronation. Listen, count the influences on two hands, and dance, simultaneously. Bonus points for realising that it sounds like they hired in Conor Oberst for the vocals and gave him an extra dose of indie-dance-ability in his morning cup of coffee. [Discover]

Friday, July 28, 2006

dance dance drink sleep drink dance write poetry

I'm tired. In fact, I'm in bed. I was out last night. I saw Oppenheimer. Hang on... Oppenheimer? Yes, Oppenheimer. They are FANTASTIC live. Absolutely. I'm going out tonight as well, after work. First, I must go to town to see Oppenheimer. Hang on... Oppenheimer? Yes, Oppenheimer. For free. In Cool Discs. An intimate gig? An intimate gig. Can't beat that with a big stick. But like I said. I'm tired. Too tired. I'm not going to write anything. Here's a poem, and some songs. Maybe they're linked? Or maybe I wrote the poem ages ago and found it and thought well I'm too tired to post but would like to post so fuck it. Maybe.



Untitled

for every little thing a name.
a new label
a description
making it seem amazing, new, trendy, fashionable,
marketable
love prepackaged
phone the number
written in black
on the barcode
i wonder if you can afford it
if not just join the lines
make them all the same thickness
for no reason
other than.
it. fucks. with. the system.
so why not?

You Say Party! We Say Die!

The Gap (Between The Rich And The Poor)
Cold Hands! Hot Bodies!
Love In The New Millenium

Saturday, July 22, 2006

you won't disappoint me; i can do that myself

I was in London for a week. Before that I was in the North Coast of Ireland... soaking up the rain. Yet... London was hot; sweltering; beautiful. So much to be absorbed in so little time. So much to do but so little money. Just the will, the determination. You can learn a lot, and feel a lot, just by walking around a city slowly. Well, I've been away, so this hasn't been updated. Here's a post / a draft / a rough attempt at putting feelings into words, which I've had kicking about since before London.. Since that time when I was walking beaches in the North Coast getting wet, getting cold, enjoying the view, being enlightened by the darkness.



Glen Hansard & Marketa Irglov

When Your Mind's Made Up

Running through a foreign city in the middle of their summer. Or is it their summer? Maybe it's winter? Do they have a winter? You can't tell, everything is new to you. These market stalls filled with kitchen utensils and throwaway junk, all these walls made of dust. The only water you've seen since you've been here was on your windscreen when that kid, he ran out, and he shouted, he waved, you nodded - obsequious - and he showed you his hands - a filthy t-shirt, and some dirty dish water, and he washed your windscreen.

It's two weeks later, and you suddenly realise she's never loved you. She just walked out the door fifty-seven minutes ago - you know, because you've been counting the seconds; said she was away for the groceries, even though the make-shift cupboard is full. You're running through this foreign city and you realise all these things about yourself - things that hurt you, things that confuse you. You're a desperate man. You don't even know if you love her, but you'd do anything for her, anything in the entire world, and you tell her time and again. She laughs. You laugh. It's a running joke between the two of you; only with you, it's the truth. You make it trivial as if you'd do it for anyone... You tell yourself you're a considerate, caring, compassionate person. You tell yourself you love everyone equally. You would do it for everyone. You would. You would. Would you?

You know you wouldn't... and that's why you're out the door in a flash, running the streets trying to find her, the only thing that holds you together; the only person that makes you feel whole, like a real human - like a nice person. With her you are at least half of what you wish you were. We never learn, do we?

Glen Hansard & Marketa Irglov

Leave

But maybe, just maybe, you learnt something about yourself. It's doubtful but it's possible. And maybe, just maybe, it was something essential. Something necessary. Something undeniable. It doesn't matter how it was learnt - through alcohol abuse, or running screaming through the darkness, or with your head on a pillow soaking in your own tears and praying for sleep. And maybe, just maybe, this song is the essence of that realisation. The guitar and the words and the voice, when experienced live, are overwhelming. This studio version is only a let-down in so much as my eyes don't well up with emotion I never knew I still felt, the way they did when I heard it, live, for the first time - performed by Glen, on his own, as an encore, with just an acoustic guitar and that voice.

[Buy / Discover]

Wednesday, June 28, 2006

A shoebox stuffed with memories

I've been living in other people's houses, staying away from the internet and over-dosing on alcohol - hence the lack of writing. It'll calm down at some stage.



Bran Van 3000

Speed

James DiSalvio is a conjurer. He is a magician who folds different coloured handkerchiefs up his sleeve and lets them unravel at will. He wears long sleeves at all times. They hold an abundance of tricks which fall out into his songs with subtlety. This song is a shoebox stuffed with post-cards from friends you've forgotten, pictures bursting with sunlight, letters written with joy and read with sadness. I first heard this on a compilation CD that came free with Uncut magazine. It is the essence of my childhood - as far as soundtracks go. It's filled to the brim with Bruce Springsteen references. They're there, they're obvious, will you pick up on them? It wasn't these references that sent the shivers down my spine when I rediscovered this gem. It was the sheer exuberance of the composition - yet it was also the extreme sadness that folded out and scoured my soul, looking for my heart... It found its target.



Bran Van 3000

Drinking in L.A.

Is this other song - by the same band - last years summer? I remember one extreme session - "just me and a friend... working on a movie" - sipping on vodka and orange diluting juice until around six am, sunlight coming over the hill. You've probably heard this one before. I hadn't until about a month ago. I got my hands on a digital copy straight away. I think it was the video that persuaded me. Visually it's someone waking up sleepy-eyed in the morning. Not quite hungover, yet not quite right. Tired and happy, bemused and smiling. You don't really care that you wasted the day before - there's a whole summer to do something constructive. But you know, deep down, that maybe some other people are mad at you about your laissez-faire attitude. But hey, fuck it. The sun is out and shining. The clouds are lazy as they sway from one side of the sky to the other. A dazzling blue. A brilliant gold. A lazy summer.

Saturday, June 24, 2006

Mini Saturday Mix

I posted a mix-tape I had made, as one of the very first posts on this blog. That can be found here. It's Saturday, I'm tired, I'm going out soon, so I figured instead of not posting anything, I should post the tracks from that which are still online, so that maybe you can investigate some new music. Sounds good to me. Some of them have appeared here before, but... Here they are:



Songs from my very first online mixtape

Dispatch - The General
Voxtrot - The Start Of Something
The Spill Canvas - All Hail The Heartbreaker
Robin Allender - We, Emmanuel Light, Love Ocean
Great Lake Swimmers - Moving Pictures, Silent Films
Reverie Sound Revue - Walking Around, Waiting Downtown
The Silent Type - Ink and Blood
Say Hi To Your Mom - Hooplas Involving Circus Tricks

Watching The Fire Burning



Astronautalis

Ocean Walk (Highly Recommended!)

The self-proclaimed "Van Morrison of rap" actually sounds like Bruce Springsteen sitting around a garden full of midges, rapping over a loose lazy piano line - played by the head of Bella Union (Simon Raymonde). This song is a breeze of fresh air; the spinning of your head as you fall from a long day's hassle and sweat into your bed - still dirty but relaxed. The constant talk of 'steps til' is reminiscent of an Army Sergeant preparing his men for the march ahead. The fields of life they'll have to walk through. The beaches they'll fall apart on. Words don't quite describe this song. It's more of a feeling you experience. Like walking through the city across seasons - past the homeless freezing outside in Winter; past the youth's breaking into cars during Summer. Like a barbeque with friends that gets rowdy. But you know it will all work out ok. This song is the sound of summer - sad, reluctant, lazy, hopeful, triumphant.



Astronautalis

Somethin' For The Kids
Gaston Ave.

#1: Slow, silly, summer. Once again, hopeful. Opportunities sprawl in front of us and lie down like sleeping dogs. We have to know what to do with them when the time comes. Similarities can be found with Shawn Mullans' Lullaby.
#2: Do I hear 'A Wolf At The Door'? A nice female vocal is tethered onto the mix. Chill out for the chilled out. But neither of these two songs quite match up to the brilliance that is Ocean Walk, it seems - they're mere sketches in comparison to the fully realised potential.

Simon Raymonde's first impressions: 'A very young kid from Florida. This guy was so... so articulate, so intelligent. A really beautiful kid. Looks like a beach, sort of, surfer, sort of, dude.'

Bonus:

Radiohead - A Wolf At The Door

[Listen / Closely / Buy]

Monday, June 19, 2006

Something about those bright colours would always make you feel better



Bright Eyes

Haligh, Haligh, a lie, Haligh

Where did my love affair with Bright Eyes start? Was it on that balcony in Spain through the cheap broken headphones connected to a now broken mini-disc player? Or was it all those nights I stayed up 'til 7am on the internet? It was dial-up then. Every song had to be worth it. And how many Bright Eyes songs did I download that were woeful (no pun intended) - constructed with the most heartbreaking lyrics yet delivered with the most unlistenable voice?

Too few, it seems. Since that time three or four years ago, Conor Oberst has changed his sound a bit. He's become more versatile, able to deliver electronic renditions with a heart, and traditional country singer-songwriter tales with real emotion - not just the faux, take-it-or-leave-it pop kind associated with the style. And obviously, his vocals have become much more... mainstream? Less raw in any case.

But back then... A dog barks. A kid whines. Still young, still growing up, still melodramatic. Let your guard down and you'll feel the emotion. You won't write it off, as another piece of hipster chic. It's not another angsty anthem. It's genuine emotion; innocent, broken-hearted, strummed solemnly.

But now we speak with ruined tongues
And the words we say aren’t meant for anyone.
It’s just a mumbled sentence to
A passing acquaintance,
But there was once you.


Even if you hate his voice - and many do - you have to admit that his lyrics are breath-taking. I relate to that little excerpt quite a lot. It's a smile, a nod, and a turn away. Find a distraction quickly. Speak quietly and hope she doesn't hear you. You understand the way things are now; you were her best friend, now you're not. Are you unclear? Do you not understand how things ended up this way? Go on, let the guard down. Break it down through tears and alcohol. Let yourself be free of all your lies, just for this minute.

He says the choices were given
And now, you must live them
Or just not live,
But do you want that?


Fuck.

Me.

---

Bonus:

Bright Eyes - Padraic My Prince
* [this song is the definition of lo-fi intensity]

Elsewhere: Daytrotter has some excellent session songs by Casey Dienel. Not only is the writing on the site constantly excellent, but they also feature fabulous artists, and host exclusive tracks. Do you need reasons to like Casey Dienel? Ok. She's got a lovely voice. She's been compared to Regina Spektor. She covers Pavement as one of her session songs [...And now we see the flock follow the hyperlinks]. She sounds like this:



Casey Dienel

The La La Song

Intrigued? Discover her Daytrotter session.

Friday, June 16, 2006

World Cup Round-up

Maybe your team didn't get into the World Cup [thank you Ireland]. So? There's 32 countries in it... Surely you'll find one, no? Well, due to a work thing where teams were drawn out of a hat, I'm now Spanish for a month. Call me Amadeo. So without further ado:

Most Impressive So Far:

Spain (amazing football.)
Croatia (Can't think what to say other than: you know it's true.)
Argentina (who else was over-awed by today's performance? Seriously... 24 passes, 9 players involved... all for one goal. Top stuff.)

Biggest Disappointment:

Brazil (What age is Ronaldo anyway? I remember watching him in like 1994 and he was a superstar. Is he like 90 now? However, they do have Kaka... and Kaka is a LEGEND.)

Least Deserving of ANY Hype:

England (Trinidad and Tobago? And you struggled? 'nuff said.)

Out But Should Be In:

Poland (can't believe Germany beat you in the most boring match of the century... that was unfortunate)

Who do I think will be in the final?

Spain and Brazil with Argentina getting to the semi's at least.

Anything else?

One word left. Two syllables. Have you guessed what it is yet?



Bouncing Souls

Ole

Thursday, June 15, 2006

Jesus, Etc



Wilco

Jesus, Etc.

This song by Wilco is beautiful and sombre; it's uplifted and innocent. Like a kinder-garden kid who painted a picture, and then placed it on the fridge with his favourite Ben & Jerry's fridge-magnet. The picture was surrealist; cheap paint on thick paper - dispersed unevenly, dispersed joyfully. The picture was of a baby; no, not a baby. The picture was nothing more than a crescent; highly visible - luminous even - in the flourescent pink and green he'd chose. You might say it looked like the moon but it didn't. What it did look like was a frown. And the boy turned it upside down to make a smile. And he smiled at what he'd done.

But this song isn't childish: like I said, it's beautiful. It's chirping from the start. You turn to your lover and you tell her you love her. You make these rhymes that sound silly on paper, but charming and alluring wrapped up in melodies. And who can't relate to the line, "last cigarettes are all you can get, turning your orbit around", apart from non-smokers? [yes, I realise the silliness of my point. but a fact is still a fact.]



I guess I don't have a point other than this: I can relate to it. I think it's beautiful. I've said beautiful lots and lots of times, and that's because it's true. It's got a country twang, an indie intelligence, a lyrical flawlessness and a strong focus on melody. It hasn't been on that many blogs, and it's a shame. Yankee Hotel Foxtrot was lauded, and I mean, lauded by Pitchfork - it was one of those rarities: the album that managed to get all 10.0 points... It's why I bought it in the first place. And it seemed a bit weird, at the time, considering I was thirteen.

I ripped open the packaging and put the album in the CD player, waiting to be blown away instantly. But I wasn't. There was lots of seemingly useless noise scattered around the mix. I know now I was missing the point - I think I knew then - because albums - the truly touching/amazing/intriguing ones - take their time to grow. And what I also realised straight away - upon the first notes of this song - was that when they did away with the pretension and the experimentation, Wilco still managed to come out with an absolutely amazing song. And the song is neither complex nor exceedingly simple - just perfect in its innocent execution, like the kid who paints a frown and turns it upside down. The two states are interchangeable, he thinks, when he looks back on it now.

Wednesday, June 14, 2006

Silly, silly, silly!

First things first: Let's hope I don't resort to doing this tomorrow.



So, let's fill in the odd detail here and there. I love Radiohead. I liked Thom Yorke's solo album, The Eraser, and will obviously be buying it when it comes out. Yet others criticised it; got frustrated with it. They thought it was a lack-lustre performance. Like a dull and average all-star Brazilian team; notable only for the big name involved, and not the actual quality of the album.



Listening to early early Radiohead demo's [from the days when they were called On A Friday] is a bit like that photo. Big names involved; lots of happiness. Silly glee. Stupid bliss. Before anti-anti-anti-everything kicked in. When youthful and still dreaming. Shouting about random stuff. Happily, sillily, stupidly. Grinning wildly. Oh, sweet innocence.

I apologise for the writing in this post; it's abbreviated, it's shortened, it's forgetful, it's leaving out details, it's neglectful: it's average. That's what On A Friday are. Like that band that played in your local pub that you can't remember the name of. You know they provided you with a few laughs - but why? Was it happiness or was it a scornful laugh? Could you do better? Whatever. Just lap it up and smile.

Radiohead (formerly On A Friday or Shindig)

How Can You Be Sure?
Upside Down
Life With The Big F
Sinking Ship

#1: I recommend 'How can you be sure?' Lazy in execution; Thom Yorke smiling through half-hearted tears. These demo's were recorded in the summer of 1990; a summer-break from University for the band. Unsurprisingly then, the lyrics seem to describe University life: the alcohol, the poverty, the uncertainty, the relationships, the occasional downer. The recording quality is poor - sounds like it's been recorded in his Halls - but the song overall is still endearing and lovely to listen to.

#2: 'Sinking Ship' is endlessly fascinating: there's saxophone - cheerful saxophone; Thom's 'the captain of the boat'. It brings a smile to the face of a weatherbeaten sailor.
#3: 'Upside Down' - nothing much to say - 'can't stop loving you', dear Radiohead?
#4: 'Life With The Big F': what's going on? Why's he happy? What's he la-la-la-ing about? Is he slaggin' off the French? Fuck it, I don't care anymore.

For more information, and the other 14 tracks feel free to go here and here - that's where I got the tracks from in the first place. Excellent discoveries are excellent. Say thank you to Pierre.

Heylo sunshine

I was going to write something spectacular and flowing; imagetic and hectic. Well, I think I'll save that for tomorrow, since right now my head is still floating around in cyber-space somewhere and when I listen to music with any drums what-so-ever everything goes fuzzy and something inside my skull cracks and splits and then aches. So, for now, make do with sunshine and lollipops, in the form of Lily Allen's two mixtapes. And yes Lily, your shadow does look like 'Peter Pan in a pixie hat':



Lily Allen

My First Mixtape
Mixtape #2

I haven't found the time to listen to these in their entirety yet, but all of her songs are rather good. Charming with lots of potential. And if you must make the comparisons: yes, she does sound like a female version of Jamie T; yes, there is a distinct link between her music and that of Mike Skinner; yes, there are many more that will undoubtedly be made... but not by me; not right now.



The first mixtape starts with 'LDN', the song that everyone has been fawning over. The song of course being a sort of 'i love you London' endorsement that is never overly flattering, and always honest, whilst being, yes, charming. It's like a badge to stick on your blouse; except you stick it on your iPod instead and play it in the background as you lie down on a sunbed and read your favourite novel. That's it... after song numero uno you're on your own. Enjoy the discovery. Think Disney. Be happy.

[Read a review of 'My First Mixtape' - click]

Monday, June 12, 2006

this X is a surrender

Study too much. Study too little. Learn nothing. Learn exasperation.

Chad VanGaalen

Clinically Dead

Feeling: dead - broken heart, broken spirit, crushed demeanour. When I walk my arms hang by my sides. My knees bent - ready when the time comes to roll over, fall on my back, sleep forever. I'm dreaming. They saw my youth and they stole it from me. Replaced my free-will, my vigour, with emotions too complex for me to understand. Placed textbooks in front of me and insisted, "These are a distraction! These are essential!" I tried to absorb every word from those books. I tried to glean sense, knowledge, sort it through in my head, compartmentalise everything into different theories, thoughts, transitions; different feelings isolated, then placed into darkness - took away all lightbulbs. I convinced myself I would perform perfectly, like a well-oiled machine in these exams. Dream on.

Why don't you put up a fight? Dream on.

This X is a surrender. A kiss goodbye. My white flag - I would hold it higher, but...

x : all my love, always and forever - even if you never know; especially if you never know. We never learn, do we? [Learn...]



Bright Eyes

No Lies, Just Love

When I am reborn I will be pure, like snow... like gold! When I am reborn I will decide my own future, my own emotional leanings, where and when my intellect is birthed, which words I will use, I will be king of the Dictionary. I will be in love and out of love, at my choosing, I will be happy, I will be happy - God knows I've waited long enough. Dream on.

When I am reborn I will be the same; but wiser. Hardened by experience, aged by emotion, drowned in a sea of well-meant yet ill-devised intentions. The critics they will call me naive; they will do as they do; they will never cease with their criticisms; they will ask, "well how can you be so sure?" And I will never answer their question. [Discover...]

I am dreaming of a summer day or a winter-sky; an oil-painting burnt to unrecognisable pieces. I am dreaming of a second chance.